link to former part of his claimed experience

part 4:         

Thao turned our vehicle and in a few moments, we had left the forest tops and were flying over a plain, across which flowed a jade-green river.

We descended to an altitude of about three metres and followed its course. Now we were able to follow the movements of strange fish - fish that resembled platypuses more than fish, as I knew them to be. The water was pure, like crystal, and at this altitude we could distinguish everything down to the smallest pebble.

Looking up, I saw we were approaching the ocean. Palm trees resembling coconut palms waved their majestic fronds at impressive heights, on the edge of a beach of golden sands. The blue of the ocean contrasted pleasantly with the bright red of rocks encrusted in small hills, which overlooked a section of its beach.

A hundred or so people basked on the sand or swam, entirely naked, in the transparent waters of the ocean.

I felt a little dazed, not only because of the new and wondrous things I was constantly discovering, but also because of the perpetual sensation of lightness, due to the change in gravity. This sensation was my reminder of Earth - what a strange word, and how difficult it was to visualise Earth now!

The auditory and visual vibrations were also affecting my nervous system enormously. Usually a highly strung person, I was feeling completely relaxed - as if I had plunged into a warm bath, allowing myself to float in the bubbles while soft music played.

No, even more relaxed than that - so relaxed I felt like crying.

We proceeded, quite rapidly, across the waters of the immense bay, flying about 12 metres above the waves. On the horizon, I could distinguish several dots - some larger than others, and I realised these were islands; no doubt those I had seen prior to our landing on Thiaoouba.

As we headed for the smallest island, I looked below and saw that we were being followed by numerous fish, amusing themselves by criss- crossing the shadow our vehicle projected on the water.

‘Are they sharks?’ I asked.

‘No, they’re Dajiks - the brothers of your dolphin. You see? They are as fond of playing as your dolphins are.’

not from the book - but of the fantastic visionary art of Gilbert Williams

‘Look!’ I interrupted Thao. ‘Look!’

Thao looked to where I was pointing and began laughing - I was astonished to see a group of people approaching us, seemingly without the aid of a vehicle.

They were about two metres above the water, in a vertical position, and not only floating in the air, but moving quite rapidly towards us.

Soon our paths crossed and grand gestures of friendship were exchanged. At the same instant, a wave of well-being flowed through me lasting several seconds. It was the same sensation Latoli had produced and I recognised it as a sign of greeting from these ‘flying people’.

‘How do they do that? Is it levitation?’

‘No, they have a Tara (- The Tara is an apparatus worn like a belt when you wish to fly.) on their waists and a Litiolac (2 - The Litiolac works in concert with the Tara to fly, but is held in the hand) in their hands. These produce certain vibrations that neutralise the cold magnetic force of the planet, allowing neutralisation of the gravitational force. Even a weight of millions of tonnes compares with that of feathers. Then, by other vibrations resembling those of ultra-sound, they can steer themselves precisely to wherever they choose, as they are doing now. On this planet, everyone wanting to travel some distance uses this method.’

not from the book - but more of the fantastic visionary art of Gilbert Williams showing really FREE FLYING....

‘Then why are we using this vehicle?’ I asked, for I would have loved to experiment with such equipment, which, by the way, was absolutely noiseless.

‘Michel, you are impatient. I have brought you by this means because you are not capable of flying with a Litiolac. Without practice, you could hurt yourself. Later, perhaps, if there is time, I will teach you how to use it. Look, we are nearly there.’

Indeed, we were fast approaching an island and could clearly see a golden beach where several people basked in the sun. Almost immediately, we were flying beneath palm fronds along a wide path, bordered with two rows of flowering and very fragrant bushes. The area was alive with the sound and colour of insects, butterflies and birds.

The vehicle proceeded slowly at ground level and, after a final bend in the path, we arrived before a ‘little egg’, nestled among small trees and flowering vines. It seemed that every building on this planet had the shape of an egg, most often lying on their ‘sides’ but occasionally upright, as I have said, with the pointed end upwards. The ‘shells’ were off-white in colour and had no windows or doors.

AGAIN a made artimage showing the difference in size of the body of those "former benefactor-gods" in comparison to earthman. Here on the beaches on that "paradiseplanet".

not from book.

This particular egg lay on its side, apparently half buried in the ground. It was about 30 metres long and 20 metres in diameter - quite small in comparison with those I’d seen so far.

Thao stopped the vehicle in front of a bright light centred on the wall of the egg. Leaving the platform, we entered the habitation. As we did so, I felt a light pressure, with no more force than the weight of an eiderdown. I remembered experiencing the same sensation earlier, when we passed through the wall of the space centre.

Having neither doors nor windows on these buildings is extraordinary in itself, but once inside, it was stranger still. As I have mentioned before, the overall impression was of still being outside.

The startling beauty of colour was everywhere; the greenery; the branches of the trees dissecting the blue-mauve sky above; the butterflies; the flowers... I recall a bird that came to rest right in the middle of the ‘roof, so that we could see the bottom of its feet. It was as though it had miraculously stopped in mid-air - the effect was quite extraordinary.

The only contrast with the outside was provided by the floor that was covered in a type of carpet on which were arranged comfortable looking seats and large pedestal tables. All of these furnishings were, of course, on a large scale - appropriate to these ‘large-scale’ people.

‘Thao,’ I asked, ‘how are your walls transparent and yet we can’t see in from the outside? And how can we pass through your walls as we did?’

‘First of all, Michel, let’s take off this mask of yours. I will regulate the internal light so that it will be bearable for you.’

Thao approached an object on the floor and touched it. When I removed my mask, I found the light to be no less tolerable than with it on, although the shiny quality was restored.

‘You see, Michel, this habitation exists because of a magnetic field that is quite special. We have copied the forces of nature and the creations of nature to our own ends. Let me explain. Every body - human, animal or mineral - possesses a field around itself. The human body, for example, is surrounded both by an Aura and by an etheric force (field 1 - Editor’s comment) of oval shape. You know that, don’t you?’

I nodded.

‘The latter comprises, in part, electricity and, to a greater extent, vibrations that we call Ariacostinaki.

‘These vibrations occur continuously for your protection while you are alive, and they are not to be confused with the vibrations of the Aura. With our habitations, we have copied nature in creating a field of mineral electro-etheric vibrations around a nucleus.’ Thao indicated an ‘egg’, the size of an ostrich egg, located in the middle of the room between two seats. ‘Will you push this seat please, Michel?’

I looked at Thao, surprised by her request, considering the size of the seat and the fact that she had never before asked anything of me. I tried to oblige, but with some difficulty for the seat was indeed heavy; however I succeeded in moving it about 50 centimetres.

‘Very good,’ she said. ‘Now you will pass me the egg.’

I smiled. In comparison, this would be a simple task. I could lift it with one hand and without any effort; but in order not to drop it, I took it in two hands and... fell to my knees! I had not expected it to be so heavy and had overbalanced. I stood up and tried again, this time with all my strength... nothing happened.

Thao touched my shoulder. ‘Watch,’ she said. Turning towards the seat I had found so difficult to move, she placed one hand under it and raised it above her head. Still with one hand, she set it down again, apparently with no effort. Next, she took the egg in both hands and pushed and pulled with all her might till the veins swelled in her neck. Still the egg didn’t move a tenth of a millimetre.

‘It is welded to the floor,’ I suggested.

‘No, Michel, it is the Centre and cannot move. It is the nucleus I spoke of earlier. We have created a field around it, so strong that the wind and the rain can’t penetrate this field. As for the sun’s rays, we can regulate the extent to which they penetrate. The birds too, which come to rest above, are not heavy enough to pass through the field and, if by chance a heavier bird does land, he will start to sink. This produces such a frightening sensation for the bird that he will fly away immediately without having come to any harm.’

‘It’s so ingenious,’ I said, ‘but what is the significance of the light at the entrance? Couldn’t we pass through the walls anywhere we chose?’

‘Indeed, we could. It’s just that from the outside, it’s not possible to see the interior and so you can’t know that you won’t hit a piece of furniture on the other side. The best place to enter is always indicated by an external light. Come, let me show you around.’

I followed her and discovered, behind a richly decorated partition, a truly magnificent setting. There was a miniature swimming pool that seemed to be of green porphyry and, nearby, a matching basin over which a porphyry swan was bending, its beak open... the effect was beautiful.

Thao held her hand under the swan’s beak and immediately the water began to flow over her hand and into the basin. She withdrew it and the flow ceased. She indicated that I should try. The basin was about 150 centimetres above the floor so that I had to lift my arm quite high but I managed and the water spurted out again.

‘How clever!’ I explained. ‘Do you have water which is drinkable on this island, or have you had to sink bores?’

Again Thao’s face lit with her smile of amusement. It was quite familiar to me, appearing each time I said something that, to her, seemed ‘quaint’.

‘No, Michel, we don’t procure our water as you do on Earth. Under this magnificent stone bird, is an apparatus which draws air from outside and transforms it into drinking water as required.’

‘That’s wonderful!’

‘We are merely exploiting a natural law.’

‘And what if you want hot water?’

‘Electro-vibratory force. For warm water, you put your foot here, and for boiling water, you put it there.

‘Cells positioned on the side, control the functioning of the apparatus... but these are only material details and of no great significance. ‘This here,’ said Thao, following the direction of my gaze, ‘is the relaxation area. You can stretch out there.’ She pointed to a thick mat that was on the floor, a little further down towards the base of the ‘egg’.

I lay down and immediately felt as though I were floating at ground level. Although she continued to speak, I could no longer hear Thao’s voice. She had disappeared behind a misty curtain, so that I had the impression of being enveloped in a thick fog of cotton wool. At the same time, musical vibrations could be heard, and the total effect was marvellously relaxing.

I stood up again and after several seconds, Thao’s voice was audible again, growing louder as the ‘fog’ lifted and disappeared completely.

‘What do you think of that, Michel?’

‘It really is the height of comfort!’ I replied enthusiastically. ‘But there is one thing I haven’t yet seen and that is the kitchen - and you know how important the kitchen is to the French!’

‘This way,’ she said, smiling again and taking several steps in another direction. ‘Do you see this transparent drawer? Inside you have various compartments. From left to right: fish, shellfish, eggs, cheese, dairy products, vegetables and fruits, and here in the last, we have what you call ‘manna’, which is our bread.’

‘Either you are teasing me or you are making fun of me. All I see in your drawer is red, green, blue, brown and blends of these colours...’

‘What you see are concentrates of the various foods - fish, vegetables etc, of the best quality prepared by excellent cooks using various special methods. When you taste it, you will find all this food excellent and very nourishing.’

Thao then uttered several words in her own language and, in a few moments, I had before me on a tray, selected items of food arranged in a manner pleasing to the eye. When I tasted it, my palate was agreeably surprised. It was indeed, excellent, although very different from anything I had ever eaten before in my life. The manna I had already tasted in the spaceship. I ate some of it again and found it a good accompaniment to the dishes presented.

‘You tell me that, on Earth, this bread is known as ‘manna’. How is it that it exists on Earth at all?’

‘It is a product we always carry on our intergalactic spacecraft. It is very practical, being easily compressed and highly nourishing. In fact, it’s a complete food. It comes from wheat and oats and you could live on it alone for months.’

on higher planets/levels the LIFE of the omnipresent spirit is felt be all. Picture not from this book.

Just then, our attention was drawn by the approach of some people, flying at ground level beneath the branches of the trees. They set down at the entrance to the ‘egg’, unfastened their Taras and placed them on a block of marble, no doubt there for the purpose. One after the other, they entered and I recognised with pleasure, Biastra and Latoli and the rest of the crew from the spacecraft.

They had changed from their space uniforms into long Arabian-style robes of shimmering colours. (Later, I was to understand why the colour of each robe was so flattering to the individual who wore it.) For the moment, it was difficult to believe these were the same people I had known and spoken with on the spacecraft, they were so completely transformed.

Latoli approached me, a radiant smile lighting up her face. Placing her hand on my shoulder she said, telepathically, ‘You seem somewhat stunned, my dear. Are our habitations not to your liking?’

She ‘read’ my affirmative and admiring response and was delighted by it. Turning back to the others, she relayed my response, and comments flew thick and fast, everyone talking at once. They had all sat down, looking much more at home in their seats than I felt in mine. I felt as odd as a duckling among chickens in that my size corresponded with nothing that had been built on their scale.

Thao went to the ‘kitchen’ and filled a tray with things to eat. Then, at a word from her, all hands were held out in the direction of the tray, which rose slowly in the air.

It moved around the room, stopping before each guest, without her having to touch it. Finally, it stopped in front of me and, with great caution, lest it fall (which vastly amused everyone) I took a glass of hydromel. The tray departed of its own accord, returning to its place of origin, and all hands were lowered.

‘How is that done?’ I asked Thao. My question was understood telepathically by everyone and there was a general burst of laughter.

‘By what you would call ‘levitation’, Michel. We can, as readily, lift ourselves in the air, but that serves no great purpose other than our own amusement.’ Having said that, Thao, who was sitting cross-legged, began to rise above her seat and floated about the room, finally coming to rest in mid-air. I stared at her, but soon realised I was the only one fascinated by her accomplishment. Indeed, I must have looked idiotic, for all eyes were fixed on me. Evidently, Thao’s behaviour was perfectly normal to my friends but they were more interested in the astonished expression on my face.

Thao descended slowly on to her seat.

‘That demonstrates one of the many sciences you have lost on Earth, Michel - apart from a few individuals who are still capable of doing it.

‘There was a time when it was practised by many, along with many other skills.’

We passed the time pleasantly that afternoon, my new friends and I, communicating telepathically in a light-hearted way, until the sun was low in the sky.

Then Thao explained, ‘Michel, this ‘doko’, as we call our habitations on this planet, will be your home during your brief stay on Thiaoouba. We’ll be leaving you now for the night, to let you sleep. If you wish to bathe, you know how to arrange it and you can sleep on the relaxation bed. But try to be organised within the next half-hour, as there is no lighting in this habitation. We are able to see as well by night, as by day, and have no need of it.’

‘Is this building secure? Am I safe here?’ I asked worriedly.

Again Thao smiled. ‘On this planet, you could sleep on the ground in the middle of town and you would be safer than in a building with armed guards, dogs and alarms on Earth.

‘Here, we have only very evolved beings and certainly, none resembling the criminals you have on Earth. In our eyes, they must be likened to the worst of savage beasts. On that note, good night.’

Thao about-turned and passed through the ‘wall’ of the doko to rejoin her friends. They must have brought a ‘Litiolac’ for her because she flew off with the group.

I prepared then, to spend my first night on Thiaoouba.



chapter 6

The Seven Masters and

the Aura

first he reminds a dream: A huge flame burned blue; orange yellow and red flames burned around it. An enormous black snake slid straight through the flames, heading for me. Giants appeared from nowhere, running, and trying to catch the snake. It took seven of them together, to stop it before it reached me. But it turned and swallowed the flames, only to spit them back out, like a dragon, at the giants. They were transformed into immense statues just as they were - mounted on the tail of the snake.

The reptile became a comet and carried the statues off - to Easter Island ( ‘Easter Island’ - an isolated island in the Pacific with no trees, several thousand kilometres from the shore of Chile, on which there are numerous gigantic statues from stone. Some of these statues are 50 metres high and since time immemorial have been considered ‘one of the seven wonders of the world’. Their existence has intrigued archaeologists and historians for centuries. Editor’s comment in agreement with the Author) Next, they were greeting me, wearing strange hats. One of the statues, resembling Thao, caught me by the shoulder and said, ‘Michel, Michel... wake up.’ Thao was shaking me and gently smiling.

‘My goodness!’ I said, opening my eyes, ‘I was dreaming you were an Easter Island statue and that you caught hold of me by the shoulder...’

‘I am an Easter Island statue, and I did take you by the shoulder.’

‘Anyway, I’m not dreaming now, am I?’

‘No, but your dream was really quite strange, for on Easter Island, there is a statue which was sculptured a very long time ago to immortalise me and which was given my name.’

‘What are you telling me now?’

‘The simple truth, Michel, but we will explain all that to you in good time. For now, we will try on these clothes I’ve brought for you.’

Thao handed me a richly-coloured robe which quite delighted me and, after a warm and perfumed bath, I dressed in the garment. A feeling of euphoria, which was totally unexpected, overwhelmed me. I mentioned it to Thao, who was waiting with a glass of milk and a little manna for me.

(page 70 in book)

‘The colours of your robe were chosen according to those of your Aura; that’s why you feel so good. If people on Earth were able to see Auras, they too could choose colours, which suit them and thereby enhance their feeling of well-being. They’d make use of colour rather than aspirin.’

‘What do you mean, exactly?’

‘I’ll give you an example. Do you ever remember saying of someone: ‘oh, those clothes don’t suit you at all. He, or she, has no taste’?’

‘Yes, quite often, in fact.’

‘Well, in such cases, those people have simply chosen their clothes less skilfully than others, or mixed them less successfully. As you say in French, they jurent or ‘clash’, but more in the eyes of others than in their own. However, such people will not feel good in themselves, without realising why. If you were to suggest it was because of the colours they were wearing, they would think you odd. You could explain that the vibrations of the colours were in discord with those of their Auras, but they would be no more inclined to believe you. On your planet, people only believe in what they see or touch... and yet the Aura can be seen...’

‘The Aura is actually coloured?’

‘Of course. The Aura vibrates constantly with colours that vary. At the top of your head is a veritable bouquet of colours, where almost all the colours you know are represented.

‘Around the head too, is a golden halo, but it is only really obvious in the most highly spiritual people and in those who have sacrificed themselves in order to help someone else. The halo resembles a golden mist, much like painters on Earth depict the haloes of ‘saints’ and of Christ. The haloes were included in their paintings because, in those times, some of the artists actually saw them.’

also planets have their particulary aura - as all living beings have (picture not from book)


‘Yes, I have heard mention of that, but I love to hear it from you.’

‘The colours are all there in the Aura: some shine more strongly, others are dull. People in poor health, for example, or people with bad intentions...'

‘I would like so much to see the Aura. I know there are people who can see it...’

‘Many people on Earth could see it and read it a very long time ago, but there are few now. Calm yourself, Michel. You will see it, and not only one but several. Including your own. Now, though, I’ll ask you to follow me, because we have so much to show you and little time available.’

I followed Thao, who placed my mask on my face and led the way to the flying platform we had used the day before.

We took our places and immediately Thao began manoeuvring the machine so that it dodged below the branches of trees.

In a matter of moments, we had emerged on the beach.

The sun had just risen behind the island and lit up the ocean and surrounding islands. From water level - the effect was magical. As we proceeded along the beach, I could see other dokos through the foliage, nestled among flowering bushes. On the beach, the inhabitants of these dwellings bathed in transparent waters or strolled together on the sand. Apparently surprised to see our flying platform, they followed our progress as we passed. It occurred to me that this was not the usual means of transport on the island.

I should mention too, although swimmers and sunbathers are always completely naked on Thiaoouba, those who stroll or move any significant distance, always dress to do so. On this planet, there is neither hypocrisy, exhibitionism nor false modesty (this will be explained later).

AGAIN a made artimage showing the difference in size of the body of this "former benefactor-gods" in comparison to earthman. Here on the beaches on that "paradiseplanet".

not from book.


It was not long before we reached the end of the island and, accelerating, Thao guided the vehicle at water level.

We headed in the direction of a large island, which could be seen on the horizon. I could not help but admire the dexterity with which Thao piloted the flying machine, especially when we arrived at the shore of the island.

Approaching the coast, I could recognise enormous dokos, their points as usual towards the sky, I counted a group of nine, but the island was sprinkled with others, smaller and less visible amongst the vegetation. Thao took us higher and we were soon flying over what Thao called Kotra quo doj Doko - ‘The City of the nine Dokos’.

Skilfully, Thao brought us down between the dokos(houses), to a beautiful park located in their midst. In spite of my mask, I was aware that the golden mist that enveloped Thiaoouba was much denser around these dokos than elsewhere.

Thao confirmed I was not mistaken in my perception, but she was not then able to explain the phenomenon, as they were waiting for us.

She led me beneath an archway of greenery and along a path, which ran beside small ponds. Here wonderful water birds frolicked and little waterfalls murmured.

I found myself almost running to keep up with Thao, but didn’t like to ask her to slow down. She appeared preoccupied in a way that was not typical of her. At one point, there was almost a catastrophe when I tried to jump, as much to amuse myself as to catch up with Thao. Due to the difference in gravity, I misjudged my leap and had to catch hold of a tree, which grew right on the water’s edge, to prevent myself from falling in.

Eventually, we reached the Central Doko and stopped below the entrance light. Thao seemed to concentrate for several seconds, then she took me by the shoulder and we passed through the wall.

She immediately removed my mask, advising at the same time, that I half-closed my eyes, which I did. Light filtered through my lower lids and after a time, I was able to open my eyes normally.

I must say, that this brightness, more golden that in my own doko, was considerably uncomfortable at first. I was most curious now, especially since Thao, who was usually very free and without protocol in her relations with everyone, seemed to have abruptly changed in her manner. Why?

This doko must have been 100 metres in diameter. We headed directly, although more slowly, for the centre, where seven seats, each occupied, were arranged in a semi-circle. The occupants sat as though petrified and, at first, I thought them to be statues.

In looks they resembled Thao, although their hair was longer and their facial expressions more serious, giving them the air of being older. Their eyes seemed to be illuminated from within, which was somewhat disturbing. What struck me most of all, was the golden haze, even stronger here than outside, which seemed to concentrate in haloes around their heads.

Since the age of fifteen, I don’t recall ever having been in awe of another person. No matter how grand a personage: no matter how important he or she was, (or thought they were) I have not felt intimidated by position: neither have I had qualms about expressing my opinion to anyone. To me, the president of a nation is still just a person and it amuses me that people regard themselves as VIPs. I mention this to make it clear I am not impressed by mere status.

In the doko, all that changed.

When one of them raised a hand to indicate Thao and I should each take a seat facing them, I was indeed awestruck, and the word is feeble. I could not have imagined it possible that such radiant beings could exist: it was as though they were on fire inside and emitting rays from within.

They sat on block-like seats, fabric-covered, with straight backs. Each seat was of a different colour - some only slightly different and others vastly different from their neighbours. Their clothes too, differed in colour, suiting each wearer perfectly. All of them sat in what we call on Earth, the ‘lotus position’ that is, the sitting position of Buddha, with hands resting on knees.

As previously mentioned, they formed a semi-circle and, since there were seven of them, I reasoned that the central figure had to be the principal one, with three acolytes on either side. Of course, at the time, I was too overcome to note such details. It only occurred to me later.

It was the central figure who addressed me, in a voice so melodious and, at the same time, so authoritarian. I was stunned by it, particularly since he spoke in perfect French.

‘You are welcome among us, Michel. May The Spirit assist and enlighten you.’ The others echoed: ‘May The Spirit enlighten you.’

He began to rise gently above his seat still in the lotus position, and floated towards me. This did not entirely surprise me since Thao had previously demonstrated this technique of levitation. I wanted to rise before this undoubtedly great and highly spiritual personage, as a measure of the infinite respect inspired in me. In trying to move, I found I couldn’t - as though paralysed in my seat.

He stopped just above and in front of me, placing both his hands on my head; the thumbs joined on my forehead above my nose, opposite the pineal gland, and the fingers joined at the top of my head. It was Thao who described these details to me later, for at the time, I was overwhelmed by such a sensation, that the details didn’t register.

During the time his hands were on my head, it seemed that my body no longer existed. A gentle warmth and delicate perfume originated within me, emanating in waves and blending with soft music that was barely audible.

Suddenly, I could see amazing colours surrounding the figures opposite me and, as the ‘leader’ returned slowly towards his seat, I could see a multitude of radiant colours around him; ones I had been unable to perceive before. The principal colour was a mass of pale pink which enveloped the seven figures, as though in a cloud, and their movements caused that wonderful, glowing pink to encircle us also!

When I had sufficiently recovered my senses to turn towards Thao, she too, was surrounded with wonderful colours, although less brilliant than those around the seven figures.

You will notice that, in speaking of these great personages, I instinctively use ‘he’ rather than ‘she’. In explaining this, I can only suggest that the personalities of these special beings were so strong and their bearings so imposing, that I recognised more of the masculine in them than the feminine - I mean no offence to women - my reaction was instinctive. It’s a bit like imagining Methuselah as a woman… However, women or men, they had transformed me. I knew that the colours surrounding them were their Auras. I was capable of seeing Auras - who knew for how long - and I wondered at what I saw.

The ‘leader’ had resumed his seat and all eyes were fixed on me, as if they wanted to see inside me, which indeed, is what they were doing. Silence reigned for a time, which seemed interminable. I watched the varied colours of their Auras vibrate and dance around them, sometimes far in the distance and recognised the ‘bouquet of colour’ Thao had spoken of earlier.

The golden haloes, clearly defined, were almost saffron coloured. It occurred to me, they could not only see my Aura, but possibly read it as well. I suddenly felt quite naked before this learned assembly. The question that haunted me was: why have they brought me here?

Abruptly, the ‘leader’ broke the silence. ‘As Thao has already explained to you, Michel, you have been chosen by us, to visit our planet, in order to report certain messages and to offer enlightenment on several important issues when you return to Earth. The time has come when certain events must occur. After several thousand years of darkness and savagery on the planet Earth, a so-called ‘civilisation’ appeared and, inevitably, technology was developed - a development, which was accelerated during the last 150 years.

‘It has been 14 500 years since a comparable level of technological advance existed on Earth. This technology, which is nothing compared with true knowledge, is nevertheless, sufficiently advanced to become harmful to the human race on Earth in the very near future.

(same said in other material from highlevel ETs. rø-comment)

‘Harmful, because it is only material knowledge and not spiritual knowledge. Technology should assist spiritual development, not confine people, more and more, within a materialistic world, as is happening now on your planet.

‘To an even greater extent, your people are obsessed with a single goal - affluence. Their lives are concerned with all that the pursuit of wealth entails; envy, jealousy, hatred of those richer and contempt for those poorer. In other words your technology, which is nothing compared with what existed on Earth more than 14 500 years ago, is dragging your civilisation down, and pushing it closer and closer to moral and spiritual catastrophe’.

I noticed that each time this great personage spoke of materialism, his Aura and those of his acolytes, flashed with a dull and ‘dirty’ red, as though momentarily, they were in the middle of burning bushes.

‘We, the people of Thiaoouba, are assigned to assist, guide and sometimes punish the inhabitants of planets under our guardianship.’

art of Gilbert Williams - not in book - but shall illustrate the watching over "sick" planets from cosmic intelligence

Fortunately, Thao had briefed me on Earth’s history during our journey to Thiaoouba. Otherwise, I’d have surely fallen off my seat on hearing such a speech.

‘I think,’ he resumed, ‘that you already know what we mean by ‘harmful to the human race’. Many people on Earth believe atomic arms to be the major danger, but it is not so. The greatest danger concerns ‘materialism’. The people of your planet seek money - to some it’s a means of attaining power; to others it’s a means to acquire drugs, (another curse) yet to others, it’s a way of possessing more than their neighbours possess.

‘If a businessman owns a large store he then wants a second, then a third. If he commands a small empire, he wants to increase it. If an ordinary man owns a house in which he could live happily with his family, he wants a larger one or to own a second one, then a third...

Why this folly? Besides, a man will die and have to abandon all he has amassed. Perhaps his children will squander his legacy and his grandchildren will live in poverty? His whole life will have been preoccupied with purely material concerns, with insufficient time allowed for matters of the spirit. Others with money turn to drugs in their endeavour to procure an artificial paradise and these people pay more dearly than do the others.

‘I see,’ he continued. ‘I am going much too fast and you are not following me, Michel. You should be able to follow, however, since Thao has already initiated your education in these matters during your voyage.’

I felt ashamed, almost like when reprimanded by a teacher at school; the only difference being, here I was not able to cheat by saying I had understood when it wasn’t true. He could read me like an open book.

He deigned to smile at me and his Aura, which had been flaming like a fire, returned to its original hue.

‘Now, once and for always, we will teach you and provide you with what you French call ‘the key to the mystery’.

‘As you have heard, in the beginning there was the Spirit alone and He created, by his immense force, all that exists materially. He created the planets, the suns, plants, animals, with one goal in mind: to satisfy his spiritual need. This is quite logical since He is purely spirit. Already I see you are wondering why the need to create material things in order to attain spiritual fulfilment. I offer this, by way of explanation: the creator sought spiritual experiences through a material world. I see you still have difficulty following - but you are making progress.

‘In order to have these experiences, He wanted to embody a tiny part of his Spirit in a physical entity. To do this, He called on the Fourth force - the force which Thao has not yet spoken of and which concerns only spirituality. In this domain, Universal Law also applies.

‘You most certainly know that the pattern of the Universe dictates that nine planets revolve around their sun (- their sun’ - sometimes 9 planets revolve around two small suns (twin star) - explanation of the Author on request of the Editor). It is also the case that these suns revolve around a bigger sun, which is the nucleus for nine such suns, and their nine planets. So it continues, right to the centre of the Universe from where the explosion referred to by the English as the ‘Big Bang’ originated.

‘Needless to say, certain accidents occur and sometimes a planet will disappear in a solar system, or perhaps enter it, but later in time, the solar system will revert and base its structure again on the number nine.


‘The Fourth force had a very important role to play: it had to bring to fruition all that the Spirit had imagined. It ‘inserted’ thus, an infinitesimal part of the Spirit in the human body. This comprises what you could call the Astral body, which forms one ninth of the essential human being and consists of one ninth of a ‘Higher self’, which is sometimes called ‘overself'. The Higher Self of man is, in other words, an entity which sends one ninth of itself into a human body, becoming the person’s Astral being. Other physical bodies are inhabited, similarly, by other ninths of the same Higher Self and yet each part remains integral to the central entity. (-‘central entity’ - it means that each of us shares a Higher Self with 8 other people on Earth - explanation of the Author on Editor’s request.) 

(Rampa/tibetan visdom says similar but as I understand it - it is not neccessary tied to just 8 - see link on this - half inside that page. rø-remark)

Rampa tells that the higherSELF/overself/subconsciousness holds 1/10 of the real consciousness - here they say 1/9 - that is almost the same....

‘Further, the Higher Self is a ninth part of a superior Higher Self which, in turn, is a ninth part of a more superior Higher Self. The process continues as far back as the source, and allows the enormous filtration of spiritual experience required by the Spirit.

‘You must not think that the Higher Self of the first category is insignificant in comparison with the others. It functions at a lower level, but is nevertheless extremely powerful and important. It is capable of curing illness and even resuscitating the dead.(- What is known on Earth as Spiritual Healing, can be achieved with the help of the Higher Self of the healer, without the patient being present. However, providing the patient gives permission, the competent healer can assist the patient from anywhere in the world. Author’s comment. This is not an exchange of ‘energy’ but exchange of ‘information’ at the level of Higher Selves. Editor’s comment.) (Exactly the same is said in the books from LOBSANG RAMPA. look in this (3/4out in the site) and this in danish.  RØ-comment.)

There are many instances of people, declared clinically dead, who are brought back to life in the hands of doctors who had abandoned all hope for them. What generally happens in these cases, is that the person’s Astral body meets with the Higher Self. This portion of the Higher Self has left the physical body during the period of ‘death’. It perceives its physical body below, and the doctors trying to resuscitate it; it can also perceive loved ones who mourn for it. In his present state, the Astral body, the person will feel perfectly well - even blissful. Usually he abandons his physical body, frequently the source of much suffering, to find himself catapulted down a ‘psychic canal’, at the end of which is a wondrous light and beyond, a state of bliss.

‘If before passing through this canal into the blissful light which is his Higher Self he has the least will not to die - not on his own account but for the sake of those who need him, young children for example, he will ask to return. In certain cases it will be permitted.

You are in constant communication with your Higher Self by means of your cerebral canal. Acting as a transmitting and receiving post, it conducts special vibrations directly between your Astral body and your Higher Self. Your Higher Self monitors you continually, by day and by night and can intervene to save you from an accident. Someone, for example, who is to catch a plane, finds that the taxi breaks down on the way to the airport; a second taxi called also breaks down - just like that... just like that? Could you really believe in such a coincidence?

‘The plane in question crashes thirty minutes later, leaving no survivors. Another person, an old and rheumatic woman and barely able to walk, starts to cross a street. There is a loud horn blast and a screeching of tyres, but this person is miraculously able to leap to safety.

‘How is this explained? It was not yet her time to die and so her Higher Self intervened. In one hundredth of a second the Higher Self triggered a reaction in her adrenaline glands which, for a few seconds, provided enough strength to her muscles to enable her to execute the leap which saved her life. Adrenaline released into the blood can make it possible to flee from imminent danger, or to defeat the ‘unbeatable’ through anger or fear. In too strong a dose, however, adrenaline becomes a lethal poison.

It isn’t only the cerebral canal which is able to conduct messages between the Higher Self and the Astral body. Another channel exists sometimes in dreams - or, I should even say, in sleep. At certain times during sleep, your Higher Self is able to call your Astral body to itself and, either communicate instructions or ideas, or to regenerate it in some way, replenishing its spiritual strength or enlightening it in regard to solutions to important problems. For this reason, it is essential your sleep is undisturbed by intrusive noise or by nightmares resulting from harmful impressions received during the day. Perhaps you will better understand the importance of your old French saying: ‘Night brings counsel’.

‘The physical body in which you exist at the moment is already very complex, but still, it is nothing compared with the complexity of the process of evolvement which occurs with Astral bodies and Higher-selves. In order to allow ordinary people on your planet to understand as easily as possible, I will make my explanation in the simplest (12) terms.

‘Your Astral body, which inhabits every normal human being, transfers to its Higher Self all the sensations that are experienced during a lifetime in a physical body. These sensations pass through the immense ‘filter’ of nine Higher-selves before arriving in the etheric ‘ocean’ that surrounds the Spirit. If these sensations are based essentially on materialism, the Higher-selves have enormous trouble filtering them, just as a water filter clogs quicker if it filters dirty water than if the water was already clear.

‘If, through the numerous experiences you have in your life, you ensure your Astral body benefits in a spiritual sense, it will acquire more and more spiritual understanding. In time, which can vary from 500 to even 15 000 of your Earth years, your Higher Self will have nothing more to filter.

‘This part of itself, embodied in the Astral being of Michel Desmarquet, will be so spiritually advanced, it will have arrived at the next stage where it will have to contend directly with the more superior Higher Self.


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